I checked out a book from the library today titled The New Neurotic Realism. It is a collection of images from a show in 1998 at the Saatchi Gallery in London. A lot of the work still holds up:
These pieces by Brian Cyril Griffiths are made out of cardboard boxes, office bins, bottle caps, and household objects like egg cups and tea strainers.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjJIbW6kfnA7ljyec0OeljOgteYBuxrFzbnENVScmQTTcW2qYYrzxrFsT11IBeyiGdPSl9qiKPc3GYa5DVX7WzK_FpcynRYWce_m07n26Sh6HpQ_BocgS083vY-LgP5Fj3jlmr/s320/Andreas+Schlaegel.jpg)
This chair by Andreas Schlaegel is made from kitchen sponges. Seems sort of related to the Brian Griffiths piece, but also like a modern day Fur Tea Cup:
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8aOmM21avc-Yev1a4bI7zJ6JUYawKVKEOKdiIUfglWBs-dHtOjgymOyN2_yu8MQ0P_OrR1OGS2KbSQyfwRB9uVdyPQIGpWAxQl43cDBdqT0CJmIcTyigYM8T2nfam4ijXqNXE/s320/MeretOppenheim-Furcoveredbreakfast1936.jpeg)
Object in Fur, Meret Oppenheim 1936.
People are still making work like this painting by Dan Hays- paintings influenced by warped new and old digital images.
Dissolve, 1998.
These Michael Raedecker drawing-painting hybrids are a mix of painting and sewing. From 1998, but still super contemporary and exciting!
Room 2 and Room 5, 1997.
Perspective, 1997.
Frisson, 1997.
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