This is the work I'll be showing for mid-terms. I'm also showing a drawing for the paintings I'll be doing in the spring. I had to write an artist statement too. I tired hard not to make mine too pretentious, but here it is:
My work examines ubiquitous objects that fill the urban environment and attempts to subvert the expectation that the ordinary should be synonymous with the mundane. Through experiments with size, editing, and technique, I aim to enliven the everyday and expose tensions and contradictions embedded in scenes of city life.
I am influenced by the themes and style of the Ashcan School (1908-1920), especially the painters John Sloan and George Luks. As precursors to Warhol, Lichtenstein and others, these artists were fascinated by advertising signage and the way it competes for our attention. Their work is marked by a subtle politics and an economy of mark-making.
Like the Ashcan painters, I am interested in the contradictions that images help us see. My most recent work of the backs of billboards and covered signs explores (un)spoken, (un)intentional, and (un)available meanings in the urban environment. The focal point of my work is in the dark places and areas of absence where there is a duality between covering and revealing.
So basically Conrad Bakker has already done everything I've done in my studio this semester. Depression glass? Yes. Wastebaskets? Yes. Here is some of his lovely work:
This artist, Tony Tasset, is going to be my advisor at UIC in the fall! Should be fun!
Video: Chicago's new eyeball: " The Chicago Tribune looks into the making of downtown Chicago's newest sculpture, a 30-foot orb modeled after sculptor Tony Tasset's eyeball. Props to the motherland: The fiberglass ball was fabricated in Sparta, Wis., -- not so far from where I grew up -- by F.A.S.T. Corp., which made the world's largest fiberglass sculpture, the 145-foot-long muskellunge that makes up Hayward, Wisconsin's Freshwater Fishing Hall of Fame.
This morning I went to the home of a fancy art collector downtown. I met him a few years ago at work. I think I sold him a box of crackers. I said something like, "I'm really putting this art degree to work," and his ears perked up. He's always on the lookout for new painters. He and his wife have art covering every inch of wall inside their home, art which is probably worth more than the home itself.
That's a real Elizabeth Peyton watercolor in the background!